Where You Go When You Want to Think

This site has excerpts of my novel-in-progress, Hot Love on the Wing, as well as thoughts on post postmodernism, avant garde art, literature, music, and the community of artists in Bushwick and New York.
Showing posts with label high literature. Show all posts
Showing posts with label high literature. Show all posts

Tuesday, September 14, 2010

The Meaning of September: Post Postmodernism and Change


September is the most popular birthday month. Surprised? You shoudn’t be. During those cold winter holidays, everyone couples up and huddles close.
Anyway, with all these babies being born, school starting again, and the beginning of the end of the year, you may feel that vague fear that comes before impending change, especially if you’re having a baby.
That’s the beginning of a post I wrote for Net Kids Wear. The best thing about my job is the free association and philosophizing. Like most writers, I incorporate my own sentiments into a translated version of what I’m paid for. Just before Little Matthew arrived, I often felt that vague fear – like I’m overlooking a precipitous drop. Not that the vertiginous view is  negative, it just happens that when you try to look into the future, you begin to get a little woozy. Better to just let it wash over you.  
So I’ll continue to let you know how this change affects the life of Daniel Adler, in a very post postmodern (bloggy) way. In the meanwhile, read some high literature, view some avant garde art, and watch the seasons change.

Monday, August 9, 2010

Happiness in Post Postmodernism

A recent most popular article in the New York Times exemplifies how the generation of Daniel Adler is jettisoning the “work hard, spend hard” mantra that kept capitalism thriving throughout the latter half of the 20th century. It’s too easy to get stuck in the cycle of buying and shopping, only to go back to work and do it all over again. Alas, a lack of sustainability is changing that.

If you didn’t do well during the recession, you were probably an idiot. If you still have money today, chances are you will probably have money for the next 50 years. If you don’t, wake up, there’s no more upper middle-class. You’re middle class, or lower class, and you can expect the prior to shrink considerably over the next 10 years.

 This weekend my little cousin, 17, said that he wants to experience something different in college, because after that he’s going to be settling into a suburban routine (I paraphrase). But it doesn’t have to be like that. The American Dream doesn’t have to be the American norm.

What if you don’t work as hard, don’t build up as much debt, and instead simplify. Choose a passion, and stick with it – don’t care about what your parents expect, or what your roommate from college is doing. Focus on relationships, high literature, and non-material things. That’s the 21st century American Dream.

Wednesday, August 4, 2010

It's My Birthday and I'll Party If I Want To.

Daniel Adler : 21st Bday Pic.
I know some of you may be resentful of people like me, but I get what I want on my birthday. Not presents. I don't care anymore about material shit like that. But little things, like the music on the radio. What kind of wine we're having for dinner, etc.

I share the president's birthday, which is cool, because when I'm famous, Aug. 4th will be a birthday associated with great men.

And now that I'm 22, I'll be able to press on in life, and as a writer. When you're 21, you go into the bar and you're the youngest person there. People can still call you a baby. Same goes with 22, but for one, it's even; you feel a little more grounded during even years. And secondly, you' re a little bit older, closer to being at an age when you can make a splash. That means that you can expect more from my work, since I'm not a baby, and I have the extra experience that a year brings.

Anyway, I appreciate you following my thoughts on post postmodernism,  avant garde art, and high literature, and I look forward to getting better. Till next time.

Friday, May 14, 2010

Inanimate Urban Wildlife


Sometimes, when I’m walking down the urban streets, I see a flurry of movement, a flutter in the wind, and my attention catches. Is it a bird? A mammal of some kind? What is going on over there anyway? I wonder. Then the wind picks up and I see what it is.

Plastic bags scuttle like ragged claws over a pavement floor, they nest high in the branches of trees, and when kicked loose, they float and soar on thermals, with nothing but pride weighing them down. Bread bags, staple packs, newspaper bags – they’re all different species, commingling together in a concrete jungle.  Their only predators are the garbage men, those recycling can wielding fiends. If they got the chance, they’d burn them all into compost.

When I watch black or clear plastic bags get stuck somewhere, it’s like they’re hiding, resting, or biding their time, whether it’s under the wheels of a car, or the chimney of an apartment building. Then I watch them get rolled over or stepped on, and  I’m reminded of their inanimateness. It's a post postmodern homage to industry. I think, how natural it is for humans to assign our characteristics onto things over which we have no control.

Wednesday, April 14, 2010

Eye Scream Sunday




The other night was sultry, with gray clouds rolling over the sky and a mid-August feel despite the fact that it was only April. The magnolia in the backyard rollicked in the breeze, its pink petals just beginning to bloom at the top of the tree, and I ate my spaghtetti and arrabiata tomato sauce outside, with a napkin tucked into my collar. Aakash was busy working, moving back and forth from his apartment to the backyard patio.

Aakash had neon orange cutouts that he had measured to fit over the wheels of Guillermo's truck. I sat on my stoop, eight steps high, drinking a bottle of San Pelligrino, listening to the Spanish conversations of the men who worked at the auto shop next door, as Aakash set the neon cubic structures. Guillermo came home and was kind enough to sit in the car and model. We chatted and saw an ice cream truck sing past us with its characteristic carnival jingle. I had long wondered why the trucks flocked to our street, and assumed the existence of a depot, while telling my friends that really they sold ice cream during the day, but after 8 o clock, they sold drugs. We decided to place the neon cubes over the wheels of the ice cream truck.

When we walked over, an older man walked back and forth from the truck to the shop carrying big bags, and a young girl spoke on her cell phone. We asked if we could use the truck, and then the owner appeared saying that he wasn't sure, he didn't want his truck to end up in the New York Times and not get anything for it. Aakash reassured him that it was nothing like that, and I decided to buy some ice cream to assuage the situation. 

The girl, who was about my age and would have been pretty except for an overbite that made her lisp, sold me an ice cream bar, and I eagerly ate the chocolate on vanilla. Aakash wanted us to act natural and so we started to chat.

She was ecstatic and said that we were so cool to be taking pictures of her truck, that she was so happy, that all she ever does is work, and this kind of thing is so much better. I asked her about her family's drug cartel and she said yes, they sold weed and coke, primarily, but they were willing to submit special requests.

When we said our goodbyes and thank yous and got home, we decided to look at the avant garde art pictures for which one to put on display. Out of the 127, we chose one, featured above. This one we chose over the one with me and the girl interacting – she leaning out of the window with her hands over the glass like a puppy dog hopefully waiting on my reactions, me standing, ice cream bar in hand, gesticulating widely over some forgotten aspect of conversation.




Tuesday, March 16, 2010

I'll Be Carving Your Cantaloupe Tonight


Tonight's a great night to carve fruit, I thought, digging my spoon into the stringy ganglion of the cantaloupe. I can do it with a knife, but it's more difficult to get all of the seeds in the garbage can; it's much easier with a spoon.

I sit at the table with my cantaloupe on the plate and I cut it into crescents using Guillermo's white handled Brazilian knife. I then lie it flat and quickly dice at it, like a cantaloupe chef, but not to cut through the rind, just enough to allow me to bend the slice against its natural propensity and see gaps between bite size orange teeth smile back at me. I suck so the juice doesn't spill down my fingers and flecks of juice don't fly onto the table but this proves useless and sounds unattractive. I sit back down with a paper towel in my hands. The fruit is succulent, ripe, sweet. I eat my fill and wipe the table down, put on a pot of water for tea and clean the kitchen.

I brought the plate with half a cantaloupe over near the sink, and collected the eaten canteloupe slices with difficulty - like wet fish they flopped and slipped through my hand. This is all that fit in the garbage. I unhooked the plastic bag from its holder and sitting it on the floor tied the handles, an angry up-facing cantaloupe stuck out at either gap. It would be too late to turn it over now, I thought. And I took out the garbage.

As I was walking back up the stairs I saw a girl who was with me yesterday on the subway. Watching me stare, she said "Hey." I  said "Hey," in disbelief. It was not the girl.

Saturday, March 13, 2010

The New York System of Transportation

              The New York Subway System is the most beautiful system of transit ever conceived. It criscrosses, bumps, hiccups, jumps, stalts, heaves, groans, hisses, weaves, narrows, slows, stops, indefatigably sighs and pumps through day and night, some lines coming more infrequently than others, a surge of borough to borough transportation. I look at it and think how can it grow? The G train is a favorite rags to riches story of mine. My only experience prior to taking it when it began running properly – about every 5 minutes  – was between the hours of 12 and 3 a.m. to get to a certain warehouse party in the middle of sketch central. Now it is shiny and sleek and powers through tunnels and across el tracks to serve lower Brooklyn and follow the F. It's only natural that they should go together, seeing their placement in the alphabet. United at last. The Success of the L Train is prized by Williamsburgers and championed by Bushwickers. The 6 train is frequently overcrowded and you have to wait for the next one. The T will be built eventually. But the improvement of lines in existence is especially important. Overall quality with hope for the future. The 21st Century American Dream, in contrast with the symbolism of the Manhattan skyline, last century's homage to capitalism. Not that there's anything wrong with that, in the same way there's nothing wrong with the image of the Coliseum.
           Does that sentence make me a socialist?

Saturday, January 23, 2010

They Can Touch The Heart Only By Bruising It


You might be wondering what Dela was thinking about when she saw me. She knew Buckley and I were great friends, and that my family didn't have the kind of money her ex-boyfriend had, that any kind of interaction with me besides a purely friendly one would never behoove her because though her family didn't have money either, she had the breeding that allows one to move up in the world  - she was exceptionally beautiful for a girl of just more than middle height, with eyes that shone like sapphires, almost purple, and which glistened as you moved around her, her swanlike neck cocked deep in concentration as she studied differential equations; she was a math major, a very intelligent girl. Dela saw me as a young man of simple means; she never saw me without thinking to herself: poor guy, how can he manage? He works hard at that market, his mom is crazy, dad's never there, and he has to take care of his sister. Gradually she came to feel pity instead of shock at all of the things I lacked.
Dela was one of those city girls you might take for a fool for the first two weeks of your acquaintance. She had no experience of life and made no attempt at small talk. Since she was gifted with a delicate and lofty soul, her instinct for happiness which is natural to all living creatures, provided that she paid attention to the behavior of the gross creatures amid whom fortune had thrust her.
 She would not have ventured to say a harsh word to anyone and the most trivial cough from Little Buckley could send her running to nurture and care. A burst of crude laughter and a shrug of the shoulders was all she ever received from her Stanford boyfriend whenever she attempted to open her heart about matters not including academia and politics. His variety of humor, especially where regarding feelings and sentiments, twisted the knife in Dela's heart, ultimately causing her regret, but not an open disavowal of a wounded relationship. Too proud to discuss matters of this sort, she approached her one friend, a Jackie Franzinnini, with the attitutude that all men are the same - coarseness and brutal indifference to everything that was not money, study or women; a blind hatred that went against feminine interests; these qualities seemed to her as natural to the male sex as wearing suits and ties.
Hence the success of Gabriel. When he entered the room, little Dela's brow just containing the slightest hint of a furrow as she waded through her homework, lightened, as if she sensed the passing of a cloud over the sun, only to reveal ample light and warmth. She found that he was worth listening to, even when talk concerned the most ordinary and wretched subjects: on one occasion, there was a cat that was seen run over on First Street, and eavesdropping with ears and sidelong glances, she noticed that the fine arches over Gabriel's eyes contracted and loosened in sympathy. Gradually, it seemed to her that the nobility of spirit which she had hoped for in her boyfriend was indeed apparent in this friend of her younger brother's, two years her junior.
On reality television, this relationship would blossom after two or three dates, giving forth to a drama-sparked breakdown between the love of either Stanford ex, or the newcomer Gabriel, resulting in personal astonishment on the part of more than one member of the triangle d'amour, and possibly, hopefully, even violence. Television would outline the roles for them to play, as if they were simply stereotypes, or imitators of love. Yet because Gabriel and Dela happened to be intellectuals, at least to have had the capability to reason and understand the conventions imposed upon them by societal standards of heartbreak and courtship, and because they were city children, used to things happening quickly, and therefore all the more apprehensive about the speed of events taking form to which they were unaccustomed, they slowed their behavior, and acted all the more naturally.
When Gabriel attempted to speak to Dela in more than inchoate stutters and nods, he had to gather his courage every time he opened the Buckley's door, because after years of being friendly, he not only text messaged Buckley to plan and alert him to his imminent arrival, but told him not to bother getting up from masturbating to open the door for him, he could just as easily enter himself, in hopes of seeing beautiful Dela sitting at table working slavishly in her three inch thick volumes, quietly scribbling and that soft brow just beginning to squirm in thought – just the notion of this neighborly beauty in proximity made his palms sweat and his heart patter. On a Thursday evening, after dinner, when parents are watching television or reading, or doing whatever it is elderly people do in those soft and quiet post prandial moments, there she was, lucubrating at the table. Surprised, he seemed not to want to distract her but carefully and curiously made his way over to Dela, who sensing his presence hovering closer and closer and not drifting towards Buckley's corner, was preparing herself for more than just the customary hello and broad smile she was so used to affecting for him.
“Hey, whatcha working on?”
Sigh. “Just some Diff E.Q.”
“Cool.” Three seconds of silence. “I'm taking some calculus right now, but it looks like algebra compared to this stuff. Is that a triple integral?”
“Ya.”
“What's it mean?”
“Well, you know how the integral is used to find the area under a curve?
“Ya.”
“Well, the triple integral is used to find the area of a three dimensional object, like a box.”
“Cool.” I hover and bob my head in appreciation.
She smiles, shakes her head slowly, I'm in, yes. “Nah, it's kinda tedious.” God those, teeth, they're perfect rectangles, I would live in those teeth, make them my windows, and look out of them, how are they so white... She recognizes my silence and fawning appreciation, but isn't sure whether it's over her breasts or her knowledge of integrals in cylindrical coordinates. I pause, embarassed, not sure what to do.
“Well, guess I'm gonna see what ol' Buckley's doing.”
“K. You have fun, be safe.”
Be safe? Be safe? Like what are we going to be doing? And who does she think she is telling me what to do? She's not my mom. I mean, sure she's a bit older, but come on. It's not like I wouldn't listen to her, though. And we should be safe. Safety comes first. She's so caring, loving, always looking out for us... “Sup Buck.”

Monday, December 28, 2009

An Annual Event

The Bowery, being watchful, was loud and rough except at the hour when the halfway houses were serving dinner. A red brick building of six stories overviewed the southeast corner of first street, obligingly settled next to its northern neighbors. The other buildings on the street were varicolored, conscious of the usual discord and momentary peace within them, and gazed at one another with imperturbable faces.
The former tenant of our building, a priest, had died on the top floor. Air, heavy with cotton ball stink from being long enclosed and even longer untended to, seeped downwards and hung in the hallways, and the garbage chutes were littered with scraps cleaned too seldom. Among these, I found a few paperbacks, whose pages were yellow-curled and damp: Nexus, by Henry Miller, Journey into the Center of the Night, and Waiting for Godot. I liked the last book because it smelled mildewy. The wild alley behind the building was freshly paved and a barbed wire fence seperated the next building over. He had been a magnanimous priest; his monies were bequeathed to the halfway houses up and down the Bowery, and his furniture he had given to his tenants, since he had no living family.
When the short days of winter came dusk fell before we had eaten our dinners. When we met in the alley the streets had grown somber. The space of sky above us was a pale orange that darkened quickly into indigo and towards it the gray streetlights hung their heads indifferently. The cold air stung us and we skated until our cheeks glowed. Our shouts echoed in the silent alley. The carreer of our play brought us through the fence by a small furl of untethered mesh, and we ran through the corridors in between buildings, listening to the blaring of televisions or Puerto Rican bailandos, where odors of plaintains and frijoles steamed and our bellies somersaulted with hunger. When we returned to the street, light from the eyes of the tenement illumined our way. If my father was seen turning the corner we hid in the shadow until we had seen him safely ensconced. Or if Buckley's sister emerged to call her brother to dinner we watched her from our shadow peer up and down the quiet street. We waited to see whether she would remain or return, and, if she remained, we left our shadow and walked up to the building resignedly. She was waiting for us, her figured limned by the light of the foyer. Her brother always teased her before he obeyed and I stood removed, looking at her. Her limbs swayed like rope as she turned and she walked matronly within, though she was hardly two years our senior.
Every morning before school, I waited at the kitchen table listening for the lock of her door. When I heard the click and pause, I leapt up with my knapsack, and out the door just in time to see her lock her door. She acknowledged me with a smile and a nicety, and we walked down the stairs together and out the front door, in silence. This happened regularly. Besides this, I had never spoken to her, and yet her name caused the callow blood in my veins to roil and shake.
Her image accopanied me even in places the most hostile to romance. On Saturday afternoons when my mother did her errands I had to help her carry the bags. We walked through the jostling streets, weaving between drunken men and eager women, amid the shouts of Mandarin, the bustle of map-wielding tourists, the enchanted anti-war posters of protestors, their speakers blaring threats about government power and justice. These walks converged into a single sensation of life and experience: I imagined that I bore my gift safely through a mass of thieves and fingersmiths to bring it to a shrine of devotion. Her name sprang to my lips in these moments of bravery in litanies which I often did not understand. My eyes were full of tears (whether from the cold or from thoughts of illusory dedication, I don't know) and at times a flood from my heart poured throughout my body. I thought little of the future. I did not know if a conversation would ever consist of more than a greeting, or if it did, how it would proceed to my outpouring of love and unwavering loyalty. But my body was like a guitar and her image was like the fingers that bluesily bend and pluck at those strings that sound my being.
One evening I went into the priest's old apartment where he had died. It was a dark stormy evening and there was not a sound in the building. Through the windows and the thin roof I heard the rain patter, the sheets bouncing into the tenement, immovable, then gurgling into the gutters. A distant light from an open window shone below me. I was thankful that I could see so little. All my senses became indistinct and, feeling that I was about to slip into darkness, I bowed and genuflected to Venus, murmuring “O love! O love!” many times.
At last she asked me a question of substance. When it happened I was confused as to how to respond; my self-doubt was firm and unshakeable. She asked me was I going to the Christmas tree lighting this year. I forgot whether I answered yes or no. The tree is a douglas fir, over one hundred feet tall, she said; she was planning to go.
While she spoke, she purled a brown thread of hair around her forefigner. Her brother and two other boys were pushing each other against the brick wall and we stood alone in the lamplight of our tenement's facade. The light shone on her white neck, the ends of her parallel clavicles were illumined, her hair was suffused in a golden patina, and falling, lit up her hand on the cold iron doorhandle. It caught the folds of her dress, and was lost in the ruffles and blackness of her overcoat, loose around the neck as she stood contrapposto, at ease.
You should go, she said.
If I go, I said, I will find you by the time the tree is lit.
What countless fantasies and illusions lay waste before my waking and dreaming visions after that encounter! I focused only on the moment when we would stand together underneath the lights of the behemoth tree; I wanted to destroy the intervening days, and would have sacrificed greatly to do so. Such are the follies of youth. School was not just tedium, but agony. At night in bed and by day at desk in the classroom, her image came to me like a succubus, taking my full attention from all reality. The syllables of Rockefeller came to me with the mystique of American royalty, as though simply saying the word, I attained a higher plateau of sophistication and culture. When I asked for leave on a Wednesday night, my mother was surprised at my gall. I answered no questions in class. I watched my teacher's face pass from amiability to distrust; she hoped I was not growing idle. I could not shepherd my roaming thoughts. I had hardly any patience with the work of life which, now that it intervened between me and my desire, seemed sore ugly work, like the monotony of an office job cubicled in by three sides with only the future as escape.
On Wednesday morning I reminded my father that I wished to go to the tree-lighting ceremony that night. He was shaving, and answered me curtly, knowing that I wanted to travel solo:
Be careful on the subway.
He stood there in delicately absorbed. I sat at the kitchen table and skulked with my head low. I didn't wait for the click of the lock to leave because I was too excited and eager to see her that evening, fearing that seeing her twice in the day would be too much, that it might dissuade her from going to the ceremony. The wind was biting and I was debeatified by the time I arrived at school.
When I came home to dinner my father was not yet arrived. Still it was early. I sat staring at the clock for some time, and restless, wandered from room to room. I tried to read, unsuccessfully. The empty rooms of our apartment sang with the wind's knocking at the glass window panes. From the back windows, I saw my buddies playing in the alley, skating and falling. Their shouts reached me softly from the street, blurry and muffled and, leaning my forehead against the window and watching condensation slowly build, I thought about her downstairs getting ready for the ceremony. I may have stood there for half an hour, obsessively meditating on her quotidian actions, seeing her in that golden patina of light as the darkness enclosed her and the pallor of her collarbones receded into shadow.
When I came downstairs again I found Mrs. Lorenz sitting at the fireplace. She was the mother of two younger boys and was a notorious gossip, an electirician's wife, who collected tidbits to give her life some sort of purpose. The meal was prolonged an hour and still my father did not arrive. I had to endure her bandying for the entirety. Mrs. Lorenz stood to leave: she was sorry she had to make dinner for her kids, but it was after seven o'clock and the festivities had begun. When she left, I began to walk through the rooms in irritation. My mother said:
You can wait until your father comes home before you go to the tree-lighting; it doesn't start for another few hours.
At eight I heard the latch click and da entered; he hung his coat in the closet and his keys jangled. When he had finished his salad, I asked him for the money for the subway. He had forgotten.
You better get going, before they light the tree.
I stayed stoic. Mom said to him energetically:
“Give him the money, by the time he gets there, it'll be lit.”
Da said he was sorry he had forgotten. He said he believed in the old saying: Work hard and play harder. He asked when it started and when I told him a second time, he asked me did I know the old Wordsworth Ode to Duty. When I left the kitchen with my coat, he was beginning to recite the opening lines to my mother.
I held my cash tight and eagerly bought a subway ticket, knowing how to get there from downtown on the Lexington line. The holiday fever had begun and infected me as I passed into the subway station, dripping with water despite the last rain days ago. The train came quickly and I sat, hands folded in a moderately filled car. Each stop dragged interminably on. When it arrived at Grand Central, I felt butterflies flutter and a crowd of people entered the train. The next stop was mine. I ran to exit the station and walk west, to fifth avenue. I passed a large bank with a roman numeralled clock that read a quarter to nine. I had ten minutes until the lighting. The square was two blocks away, and throngs of people collected, buzzing with anticipation.
It dawned on me that to find her would be difficult; she would be in the front. I found myself crawling through black peacoats and avoiding large circles of people who knew each other, making way for me, as if I were a disease. Suddenly, the tree was lit, and oohs and aahs, the flashing of cameras signalled that it was over. I didn't even stop swimming through the crowd to admire the tree; I wanted only to find her and apologize for my tardiness. I paused for breath in an opening and tried to get my bearings. I overheard the conversation of some Southern folks.
I wonder where they got it from.
I heard it was from Washington state, that they found it and put it onto a plane to get it here.
A plane?
I thought they drove it.
Where'd ya hear that?
Noticing me noticing them a motherly figure asked if I needed help. The tone of her voice was comforting; she seemed to speak to me out of a true desire to help. I looked around, hoping to glimpse her and save my honor, then at the looming tree like as if it were mocking me with its multi-colored lights and symbolism of Yuletide cheer, and murmured:
No, thanks ma'am.
She looked inquiringly at me for a moment and returned to her husband and the two others who could have been her children. They returned to the subject of the tree. Once or twice, the woman looked at me with distrust.
I lingered, though I knew it was pointless; I would never find her now – she had probably already left. Then I turned slowly and walked through the emptying square, disenchanted and disheartened. I clanged the change for the subway in my pocket. I heard a female voice call from behind me, and turned excitedly, but it was not her. It was now past ten o' clock and there were fewer and fewer people.
Gazing skyward I saw myself from above as an animal driven by fruitless passion and pride; and my eyes blurred with tears of anger and shame.