Last night we watched some experimental music at Brooklyn Fire Proof East, and began discussing what makes the cliche a universal. The former is boring, the number one no-no in writing, the latter, genius. But where's the line drawn?
I find that when listening to music for example, when I'm expecting a rhyme that doesn't occur, like "keeps lingering on" with "love that's strong" instead of "waiting for so long," there is a glimpse at the universal.
In short, the cliche satisfies our expectations, or as David Foster Wallace would say, "massages our egos" while the universal gets at the same ideas by disappointing them, pleasurably, or in the case of films like "Blue Velvet," unpleasurably.
But you aren't satisfied with that.
A lot of it comes down to phrasing. In writing, even word order can make a big difference. But original comparisons, like instead of being shot by cupid's arrow, being stung by the sting ray of love, can help us to achieve a universal emotion in unique terms.
Have any other ideas? Let me know.
Inquiringly,
Daniel Adler
Daniel Adler | Classic Literature | Avant Garde Art | Post Postmodernism
Where You Go When You Want to Think
This site has excerpts of my novel-in-progress, Hot Love on the Wing, as well as thoughts on post postmodernism, avant garde art, literature, music, and the community of artists in Bushwick and New York.
Showing posts with label David Foster Wallace. Show all posts
Showing posts with label David Foster Wallace. Show all posts
Friday, November 12, 2010
Tuesday, November 9, 2010
The Sylvia Plath Effect
Stuck inside my head with the thinking about the future blues again. Ohh, you’ve written this before - too many artists have succumbed that way. You need to back out of your own mind again. Think about Shakespeare, think about whatever it is you have to to take your mind off of what it is your thinking about. Then get back to me.
Write it down. Get it all out of your mind. Free the stuff bubbling within you. Talk to your best friend. An outside perspective will help you keep reality and illusion separate.
List of famous artists that couldn’t stop thinking and succumbed to the Sylvia Plath effect:
Ernest Hemingway
David Foster Wallace
Syvia Plath
Vincent Van Gogh
Ashile Gorky
Frida Kahlo
Mark Rothko
Not that I’m in any way close to killing myself. It’s just that if you don’t take a step back, outside of your own head every once in a while, either your personal life suffers, or your art suffers. Sometimes both, but usually the conflation between the two suggests you put more eggs into one basket. Deep breaths. Relief.
Write it down. Get it all out of your mind. Free the stuff bubbling within you. Talk to your best friend. An outside perspective will help you keep reality and illusion separate.
List of famous artists that couldn’t stop thinking and succumbed to the Sylvia Plath effect:
Ernest Hemingway
David Foster Wallace
Syvia Plath
Vincent Van Gogh
Ashile Gorky
Frida Kahlo
Mark Rothko
Not that I’m in any way close to killing myself. It’s just that if you don’t take a step back, outside of your own head every once in a while, either your personal life suffers, or your art suffers. Sometimes both, but usually the conflation between the two suggests you put more eggs into one basket. Deep breaths. Relief.
Labels:
Ashile Gorky,
David Foster Wallace,
ernest hemingway,
Frida Kahlo,
Mark Rothko,
Sylvia Plath effect,
Syvia Plath,
Vincent Van Gogh
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