Daniel Adler | Classic Literature | Avant Garde Art | Post Postmodernism
Where You Go When You Want to Think
This site has excerpts of my novel-in-progress, Hot Love on the Wing, as well as thoughts on post postmodernism, avant garde art, literature, music, and the community of artists in Bushwick and New York.
Showing posts with label bildungsroman. Show all posts
Showing posts with label bildungsroman. Show all posts
Thursday, January 6, 2011
Thomas Wolfe's Modernism
Thomas Wolfe is a badass writer. Although he wrote Look Homeward, Angel at the height of the modernist movement, in 1928, he employs various postmodern techniques. For example, upon his birth he manages to remove some of the self-indulgence of writing a bildungsroman by asking the reader if you are familiar with what had happened during the course of history up until that moment.
He goes on to list a number of current, as well as ancient, events in order to both minimize the effect of his birth as another common circumstance, while aggrandizing it in a list of notable historical occurrences. In this series of postmodern paragraphs, he moves from second person to first and eventually back to third. The modernist techniques are most apparent when he attempts to probe different consciousnesses. He soon thereafter describes how he, as a little baby, thought:
"He had not even names for the objects around him: he probably defined them for himself by some jargon, reinforced by some mangling of the speech that roared about him, to which he listened intently day after day, realizing that his first escape must come through language."
So now I plan my own escape, again, through language.
Friday, December 31, 2010
2010 Classic Literature Round Up
One of my more rececnt posts about George Bernard Shaw has caused a bit of a maelstrom. Indeed, I was wrong, or at least misreading the quotation. It seems as though experience is not valuable for its capacity or breadth, but for its quality. This goes back to Nietszche. The Superman stands on the subway platform and feels the rush of wind whip his hair, he knows the pulse of the city, paces the heartbeats of the individuals in the cramped cars. The ordinary man waits for the doors to open.
Anyway, enough of my metamodernist rehashings. Post postmodernism has been very good to me this year. Some notes I'd like to make on the close of 2010.
As much as I hate Sarah Palin, refudiate is a cool word.
Here are my top three books of classic literature that I read this year:
1. Sentimental Education: A superb bildungsroman in the French style. Flaubert's masterpiece.
2. White Noise: Talk about post postmodernism. This book is entertaining, funny, and profound. A must read for anyone who enjoys classic literature.
3. War and Peace: A sprawling masterpiece, this book is a great way to learn about the Napoleonic wars, but it's clear that Tolstoy's best moments are domestic descriptions. That's why Anna Karenina is better.
That's it guys! Hope you have fun tonight, and I'll write you next year.
Anyway, enough of my metamodernist rehashings. Post postmodernism has been very good to me this year. Some notes I'd like to make on the close of 2010.
As much as I hate Sarah Palin, refudiate is a cool word.
Here are my top three books of classic literature that I read this year:
1. Sentimental Education: A superb bildungsroman in the French style. Flaubert's masterpiece.
2. White Noise: Talk about post postmodernism. This book is entertaining, funny, and profound. A must read for anyone who enjoys classic literature.
3. War and Peace: A sprawling masterpiece, this book is a great way to learn about the Napoleonic wars, but it's clear that Tolstoy's best moments are domestic descriptions. That's why Anna Karenina is better.
That's it guys! Hope you have fun tonight, and I'll write you next year.
Wednesday, December 29, 2010
Daniel Adler's Room in Post Postmodernism
So remember Christmas in Post Postmodernism? I'm getting a $40 gift certificate for pretty much anything I need.
I need a dresser. The two small endtables I have in my room in which I store my undergarments are literally overflowing with clothing, especially after having visited my Uncle Jacques and receiving a number of cashmere items.
So I'm going to get a dresser. This will be good for a couple of reasons. 1. It will organize my clothing and 2. it will prevent me from owning another pair of shoes (boat). In the meanwhile, boxers pile high on top of my open drawers, and turtlenecks are drowning under t-shirts and sweaters.
I'll also be able to store more books on top of my new dresser, which will be a boon. I'm starting Thomas Wolfe's (not to be confused with the asshole in white pants) Look Homeward, Angel. It is a serious American bildungsroman that takes place in North Carolina and Harvard. You can look forward to many posts about post postmodernist examples from this book.
I need a dresser. The two small endtables I have in my room in which I store my undergarments are literally overflowing with clothing, especially after having visited my Uncle Jacques and receiving a number of cashmere items.
So I'm going to get a dresser. This will be good for a couple of reasons. 1. It will organize my clothing and 2. it will prevent me from owning another pair of shoes (boat). In the meanwhile, boxers pile high on top of my open drawers, and turtlenecks are drowning under t-shirts and sweaters.
I'll also be able to store more books on top of my new dresser, which will be a boon. I'm starting Thomas Wolfe's (not to be confused with the asshole in white pants) Look Homeward, Angel. It is a serious American bildungsroman that takes place in North Carolina and Harvard. You can look forward to many posts about post postmodernist examples from this book.
Wednesday, December 22, 2010
David Copperfield is So Post Postmodern
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| Young Charles Dickens |
"I think continually about my age. Say I am seventeen, and say that seventeen is young for the eldest Miss Larkins, what of that? Besides, I shall be one and twenty in no time almost."
Here, the narrator, a much older man writing his bildungsroman, remembers his youth with great perspicacity. Sorry. But the way he moves to the thought process of his younger self is worthy of emulation and the hinted second person address is similar to what I'm working with.
J.D. Salinger knew it too. He mentions ol' Davy in the first sentence of what is obviously the best bildungsroman of the 20th century:
"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth."
Dickens is a boss. 'Nuff said.
Labels:
bildungsroman,
charles dickens,
David Copperfield,
great expectations,
j.d. salinger,
post postmodern,
second person address
Friday, October 8, 2010
Daniel Adler's Little Brother Grows Up
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| Daniel Adler playing the mouth harp with Little Matthew in a Moscow Subway. |
Yesterday, I wrote a post about happiness, death, and bronze plaques. Though condensed, it made me start thinking about the almighty importance of “being in the now.”
We have a beautiful roof, with a view of the Manhattan skyline, and while smoking a cigarette with Matthew, I could not help but understand what it all meant.
My minion has a troubled unconscious. All of his dreams are unpleasant, and usually revolve around not being up to authoritarian standards. This is reflected in his work experience. An example: at the restaurant where he works, on a lonely night when only the manager and her friends were patronizing, Matthew changed the radio to a song he likes. She was not pleased. Or, the other night at La Tortilleria, he put his coat over his chair, leaving a corner of it resting on the knee of a guy sitting behind us. “It’s clean,” he deadpanned, as the guy moved his knee.
But he is learning. His fears about being fired are socializing him, albeit slowly. He needs to be more conscious about how his actions come off to others. Then he can revert to his naturalized “moment” living.
And what about Daniel Adler, you ask? Since I'm writing a bildungsroman, it helps to have one occurring right in front of my eyes. How's that for immediate living?
P.S. Pine Box finally opens tonight!
P.S. Pine Box finally opens tonight!
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