Where You Go When You Want to Think

This site has excerpts of my novel-in-progress, Hot Love on the Wing, as well as thoughts on post postmodernism, avant garde art, literature, music, and the community of artists in Bushwick and New York.
Showing posts with label rumi. Show all posts
Showing posts with label rumi. Show all posts

Tuesday, March 29, 2011

Live for a Thousand Years in an Instant. Try It.

From the most recent female ephemera, remember the spirit children, the essences that united from all of our physical union and they whisper, what about us. But they drift into the atmosphere and I have done all I can.
  
Sometimes I remind myself that it doesn't matter whether you live for another three days or twenty years. For the mystic lover, three hours could be a hundred years. Remember this; I can tell you no more about it.

Repress desires and you become a hypocrite. Rumi said that.

All we have is to give and to hurry. But when we act with abandon, surrender to the life we pass through and become spirit, the way people do in love, we can be happy. Which is why people like falling in love: they are able to live a thousand years in a single instant. And most come crashing back to earth in jealousy and carnal lust. "What should we do next?" The spell is broken.

After practice you can eventually surrender to death and each life frame you live passes in slow motion.

I still can't do it, but I'm getting better. Classic literature helps.

Thursday, January 27, 2011

Rumi, Negative Capability and Eastern Classic Literature

I'm reading Rumi's "The Book of Love," a classic literature text worth reading. It isn't so much about the sexual love you immediately thought of upon reading the title, but rather the love for life, on which I pride myself for having.

Not to sound like an arrogant asshole, but you know, the channeling of emotion, the appreciation of highs, lows, ups, downs, all that goodness and beauty.

The Eastern and Western notions of love are different. The former is based on sobriety, receptiveness and clarity; the latter, longing, desire and drunkenness. We need both, but in Western classic literature, the drunk-with-longing is more heavily emphasized. When the Eastern makes an appearance, it's love for a flower or a bumble-bee. I'd say that Keats comes closest to achieving them both simultaneously in terms of sexual love, which makes sense if you think about his definition of negative capability.

So I'm going to try to follow in his footsteps and write about a new love beyond all as I write my kunstlerroman. The key is not to sound so damn self-absorbed. Or maybe to sound self-absorbed but alleviate it with a time-gap perspective, of say, ten years. Good luck you 22-year old snot nose. Yeah, like that.